SODA Studio were first inspired by the sleek lines and rich texture of the Impact Acoustic panels. Through multiple overlays of vertical patterns, the studio looked to emulate the depth and rhythm found in the product’s design. Each layer reveals a vibrant composition that echoes the dynamic nature of sound waves, while adding a bold visual texture. The design showcases the straightforward elegance of the product, blending it seamlessly with the surroundings to emphasise the relationship between sound, space and colour.
ARCHISONIC® Cotton is made entirely from natural materials. Unlike conventional acoustic materials, which rely on synthetic binders that are difficult to recycle, the solution developed by Impact Acoustic allows the absorbers to be fully reintegrated into the manufacturing process. Designed for a circular lifecycle, each acoustic tile is meticulously manufactured to be fully recyclable and even compostable. Impact Acoustic takes back the material at the end of its life, ensuring that 100% can be seamlessly returned to production.
View the cover archiveCrafted from recycled wine corks, this spray upholstery by Dutch innovators Cooloo pushes the boundaries of circular furniture production.
David Roberts, managing director of retail and hospitality design agency Formroom, explores how redefining physical experiences can shape the future of the high street.
In partnership with Interface, we explore whether we can adapt aesthetics to fit with truly sustainable design, and ask: how can we create systems that needn’t come at a cost?
Just in time to celebrate its 20th anniversary, one of the city’s most legendary hotels finishes a property-wide redesign with its own take on luxury lifestyle.
Next in our Positive Impact series, we explore how introducing closed loop systems for a more sustainable future means rethinking our notions of beauty.
Tim Fendley - founder of award-winning spatial experience and wayfinding design practice Applied – explores how places can speak to us (and how to listen when they do).
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